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Having already gained fame as a passionate performer and conductor, Leonard Bernstein set his sights on two of the most daunting piano pieces in the modern canon: Shostakovich's towering 2nd concerto (op. 101) and Ravel's lesser known (but no less demanding) concerto in G. He tears into these meaty, complex works like a man possessed, the NYPO and Columbia Symphony Orchestra bringing sonic support that is at turns combustive and sublime. This early Columbia stereo recording can disarm and stun with its clarity, tonal colour and dynamic forcefulness.
Kevin Gray's all-analogue mastering brings out full pounding bass, sharply stinging brass and exquisite washes of strings. He creates an absolute marvel of analogue audio that will surprise even the most seasoned of LP enthusiasts.
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